The Potter's Studio - Sex Stories

The Potter's Studio

... too! My mind wants pussy but my body is like, that was fucking mind-blowing!"

"You've got my address, my holes are yours anytime," Kyle smiled as he changed underwear and shorts, slipping into a spare set of clothing he kept in case the ceramics work got too dirty.

Jeremy laughed, "Dude, you can't say that to everybody, someone is going to think you're a slut."

"I have said that to two people, and they are best buds and they are both fucking straight up stunning! And they both have, in their own way, magical fuck sticks that I want in me for as long as they'll shove them inside. If you have more friends like you, I could expand that beyond two, but if I am a slut, it's literally just for the people in this room," Kyle replied. Both men smiled and gave him a peck on the lips.

The Potter's Studio Ch 4: The Show

Two months had passed since Josh's first visit to The Potter's Studio. In that time, Jeremy's work had progressed quickly, and Kyle was more than impressed with the shapes he was able to constantly produce on the wheel. He had learned online, watching some Japanese potters, that one philosophy of bowl making centered on the idea that the perfect shape for a bowl is any shape made by holding two ends of a string on each hand and expanding or contracting the distance between the hands. The curvature of the string was perfect and natural, according to those potters, and bowls should follow those lines, without boxy corners, excess curves or other ...

... distractions.

Jeremy loved the concept and began to work on wide bowls, using a string that was 18 inches long and making bowls that were 14 inches in diameter at the rim. He had made ten of them and the pieces were extraordinarily simple and beautiful at the same time. He then worked to where he could throw pieces modeled after a 24 inch string and after a few days was creating stunning shapes. He had also begun working with Roger to develop a crystalline glaze of his own. He wanted the background to be a plum or violet blue color, nearly black, while they worked through six iterations until they found a blue that matched his eyes. This would be his signature glaze for this series, though both artists encouraged him to produce dozens of variations both in crystalline and in standard glazes as some people would want to use the bowls and the spectacular effects of the crystals forming on the glaze also meant those pieces were not food safe, as those minerals could easily react with and leech onto food.

With Kyle's help, Jeremy had enough materials to host his first sale, a special one-time show at the smaller of the two events galleries in The Studio. The co-op board agreed to this easily, Jeremy had become a beloved figure both when he stepped in to help beginner classes, and behind the scenes, in the artists' workspaces. He was friendly, impossibly optimistic, kind and helpful and, as everyone had to admit, he was mind-numbingly hot. Those who were not won over by his persistent ...