Guyver – Second Chance – Part 2 - Sex Stories

Guyver – Second Chance – Part 2

... to the journal having been left on the table all these years. The first place to look was the main room, so Joyce carefully examined every cupboard and drawer, removing every item in case the book was hidden beneath something. She even checked the furniture for hidden panels, and secret hiding places, with no success, although she did find $500 in old notes, in a cookie jar on the top shelf of the food cupboard. The farm journals, going back to 1908 when Phillip Dawson made his first plans to move here and start a homestead, were on the shelves beside the fireplace, in amongst dozens of novels, reference, and school text books. There were even workbooks the children had used in their studies, with comments about their progress from both parents. Finally, the bottom dresser draw in Helen’s bedroom revealed four volumes hidden in the folds of spare blankets, each book tied with a cross of pink ribbon, one of which had a handwritten note tucked beneath the bow. The note read, “Not to be opened by Helen Dawson, on pain of a severe spanking, and other painful punishments. This means you, young lady.” Since the note was directed to Helen, Joyce had no qualms about opening the book, at first just skipping through blocks of pages, from front to back. The format was just as Susan described it, predominantly separate stories, with some exceptional illustrations to enhance the narrative. The themes varied from warm, sensitive romance, through wild, passionate sexual excess, coercion ...

... and blackmail, rape and cruel torture, into wartime atrocities. No one situation predominated and most of the scenarios stayed within their boundaries, with only one or two of them straying into a less intense or more severe series of events within a storyline. Most of the characters were different in each story, well developed, and connected, with no continuity errors, although Joyce was only scanning a small set of entries, so she may have missed some things. The illustrations fascinated her, including several styles that she herself liked, such as overdeveloped genitals, and recurring submissive scenes, and while most of the characters had only first names, a lot of the drawings were given surnames and professions, such as doctor, teacher, or banker. Joyce thought these were probably the ones Susan had said were specific people Helen had known, and interacted with. In several drawings, Joyce recognised familiar landmarks, like the waterwheel, and the livestock enclosure, also a mother and daughter pair, kept cropping up, as did a rural farm setting, obviously links to Helen’s home life. It was difficult to discern if some of them were true stories or fiction, but the hazel and hickory switches cropped up, being tied against a thorn bush hedge, and lots of forced, humiliating, public nudity. Joyce decided she was going to take this book and the current journal home with her, purely for background research of course, and study it at her leisure, until she could return as the ...